The chords aren’t all smooth and consonant, though the fourth clashes with the third, so if you’re going to make a major eleventh chord, typically you’d leave the third out. The major scale is the plain vanilla of the European-descended harmonic universe. In C, there’s a major third between C and E. This interval is called a major third, and it appears in all major chords. Major scales have four semitones (piano keys) between their first and third degrees. Hear extended chords built from a variety of scales: You’ve now used every possible note in your chord.

The next third after the thirteenth is just the root of the scale.

Finally, you arrive at the thirteenth note of the scale, which is the sixth note an octave up.

Then you come to the eleventh note of the scale, which is the fourth note an octave up.

Next you come to the ninth note of the scale, which is really just the second note an octave up.

If you add the seventh scale degree on top, you get a seventh chord.

If you start on the first scale degree, add the third scale degree, and then add the fifth scale degree, you get a simple three-note chord called a triad.

To get more notes for your chord, just keep adding thirds on top. To make a chord, you start on the first note of a scale and then move up it in thirds, meaning that you skip every alternating note.

And here’s a guide to the most commonly-used chords. Here’s a guide to some of the most commonly-used scales in Western music and their moods. If you stack them up and play them simultaneously, you get chords. If you organize the pitches sequentially and play them one at a time, you get a scale. Jazz musicians think of chords and scales as two different ways of looking at the same thing: a group of pitches that sound good together.

How to make chords in fl studio